There are many who misguidedly idolize the past and present Soviet Union, and did so plane under Joe Stalin surpassing he launched his reign of terror. Some optimists were betrayed that a revolution founded on a modicum of workers paradise idealism turned into such a underdone disaster and an enslaving world power. Some people hold onto the ideal. Others hold onto the ghost of what might have been. Vlad Putin desperately holds onto an imperial birthright mythology.
Howard Garfinkel and Larry Zeman, the gents who run my favorite olden wellspring of Soviet documents, Productive Arts, have washed-up a remarkable job of salvaging the artifacts of the mythic or golden years of USSR propaganda, when artists retained a thread of individual dignity. Replacing the current with the past is not the intention of their tabulated pursuits, but preserving history is. Despite the unleashing of Stalin’s terror-state, Soviet graphic diamond at weightier expressed hope for an international promise and a wishful positivism of the revolution that failed to materialize except through some of the artifacts left behind.
The magazines and newspapers in Productive Arts’ current catalog are aimed at institutional and individual collectors who are putting the pieces of 20th-century Russia together. Here are some recent offerings. A taste, not a meal, but satisfying to be sure.
